Spring Production 1998 - "Between Mouthfuls" by Alan Ayckbourn, "Albert" by Richard Harris, "Joining the Club" by David Tristram
Joining the Club by David Tristram
Directed by Diana Zuger
Jenny - Rebecca Scriven
Tom - Peter Williams
The scene: Jenny and Tom's home, one evening after work
Jenny and Tom are a modern couple seemingly unencumbered by old-fashioned notions of division of labour. She is the main bread-winner - and a lucky thing, too, because Tom, frustrated about having been passed over for an important promotion, has just quit his job. He plans to tell her tonight. On the very night that Jenny has some very special tidings for him as well.
Albert by Richard Harris
Directed by Sheila McKenzie
Karin Rust - Katie Coop
Nico Bellini - Tony O'Sullivan
Albert Burroughs - Eric Collino
The scene: A private home, where Karin is working as an au pair.
If you find you are having trouble catching the drift of things here, your are in good company. Karin, Nico and Albert are not faring much better. This is a weirdly funny play. A play with no dialogue. Talking yes, dialogue no. The players, a Finn, an Italian and an Englisman, share no common language, and therefore can establish no meaningful "give-and-take" in conversation. Words are batted back and forth without triggering any real comprehension. The characters resort to hilarious gesticulations, and so great is their desire to communicate, they delude themselves into thinking they are doing just that - a misconception with mortal consequences.
Between Mouthfuls, by Alan Ayckbourn
Directed by Angela Robinson
The Waiter - Dennis Dell
Donald Pearce - Andrew Thompson
Mrs Pearce - Margaret Dürrenberger-Osborne
Martin - Jan Haecky
Polly - Kathren Michaels
The scene: A hotel dining room
This play is taken from a set of five interlinked one-act plays by Alan Ayckbourn, entitled Confusions. The collection deals ". . . riotously, but with sharply pointed undertones, with human eccentricities and the human dilemma of loneliness". In Between Mouthfuls we find two pairs of diners in a restaurant at separate tables. We catch smatterings of their separate conversations as talk fades in and out of hearing range. In the process, it becomes clear to the audience that these four diners form not two but three couples.